Plurisubharmonic functions
Anchor (Master): Oka 1942 / Lelong 1945 (originators); Krantz Ch. 2; Hörmander §2.6; Range Ch. III
Intuition Beginner
In one complex variable the natural "energy-like" functions are the subharmonic ones: real-valued functions whose value at the centre of any small disc never exceeds their average around the rim. The modulus of a holomorphic function is the model example. Subharmonic functions are exactly the right test class for the geometry of regions in the plane.
In several complex variables the plane is replaced by complex space, and the right test class has to respect every complex direction at once, not just one. A plurisubharmonic function is one that stays subharmonic when you slice it along any single complex line. Slide a complex line through the region in any direction; restrict the function to that line; it must look subharmonic on that slice.
That one demand, repeated over all directions, captures the convexity that several-variable function theory actually needs. These functions are the analytic certificate that a region is well-behaved, and they are the bridge from the holomorphic-convexity picture of the previous unit to the geometry of pseudoconvex domains.
Visual Beginner
Picture a bowl-shaped surface sitting over a region of complex space. A convex bowl curves upward in every straight direction. A plurisubharmonic surface is weaker: it only has to curve upward (in the averaged, subharmonic sense) along complex lines — the special two-real-dimensional planes that respect the complex structure. Along other real directions it may dip.
The picture below shows a region with a family of complex lines threading through it. On each line the restricted function is drawn as a small subharmonic profile: the value at the centre of any disc sits at or below the rim average. When every slice passes this test, the whole function is plurisubharmonic.
The most important such surface is the height , where measures the distance from a point to the boundary wall of the region. As a point nears the wall, this height climbs to infinity, forming a barrier that hugs the boundary. When that barrier is plurisubharmonic, the region has no leak.
Worked example Beginner
Take the function on complex -space. Is it plurisubharmonic?
Slice it along a complex line. A complex line through a point in direction is the set of points as runs over the complex plane. Plug in: the restricted function becomes , which expands to . As a function of the single complex variable , this is a constant plus a harmonic piece plus .
The first two pieces are harmonic, and is the standard subharmonic bump in one variable: its value at the centre of any disc is below the rim average. So the slice is subharmonic on every line, in every direction . Therefore is plurisubharmonic.
Now contrast with a function that fails. The real part slices to a harmonic profile in some directions but bends the wrong way in others; averaged over all complex directions it has no definite sign, so it is not plurisubharmonic. The lesson: plurisubharmonicity is a demand made simultaneously in every complex direction, and a function can satisfy it in some slices while failing the test overall.
Check your understanding Beginner
Formal definition Intermediate+
Throughout, is open. Recall from 06.01.24 that an upper semicontinuous function on an open , not identically on any component, is subharmonic if for every closed disc one has the sub-mean-value inequality
$$
v(a) ;\le; \frac{1}{2\pi} \int_0^{2\pi} v(a + r e^{i\theta}), d\theta.
$$
Definition (plurisubharmonic function). A function is plurisubharmonic (PSH) if
- is upper semicontinuous, and
- for every and every , the slice is subharmonic (or identically ) on each component of its domain.
Write . We exclude on a component when convenient; the cone is closed under addition, multiplication by nonnegative constants, and the pointwise maximum of finitely many members.
The Levi form. When , the slice condition has an infinitesimal form. The complex Hessian (or Levi form) of at applied to is the Hermitian form $$ L_u(z; w) ;=; \sum_{j,k=1}^n \frac{\partial^2 u}{\partial z_j , \partial \bar z_k}(z), w_j \bar w_k . $$ A direct computation (carried out in the Key theorem) shows that for the slice one has , where is the real Laplacian in . Hence a function is plurisubharmonic exactly when for all and all , i.e. the complex Hessian is positive semidefinite at every point.
Strict plurisubharmonicity. is strictly plurisubharmonic if for all and all — the complex Hessian is positive definite. The function has , so it is strictly plurisubharmonic everywhere.
Exhaustion functions. A function is an exhaustion of if the sublevel sets are relatively compact in for every . A PSH exhaustion is one that is also plurisubharmonic. The existence of a continuous PSH exhaustion is the analytic definition of pseudoconvexity, developed in 06.10.03.
Counterexamples to common slips
Plurisubharmonicity is strictly stronger than ordinary subharmonicity as a function on the underlying real -space. Subharmonicity tests the full real Laplacian (the trace of ); plurisubharmonicity tests every diagonal entry , a stronger demand. A function can be subharmonic in yet fail to be PSH.
The slice direction ranges over all of , so it includes complex multiples; testing only the coordinate axes is insufficient. The form must be positive semidefinite, not merely have nonnegative diagonal in a fixed frame.
PSH functions are not closed under multiplication by negative constants: is PSH only when is pluriharmonic (both and PSH), which forces and means is locally the real part of a holomorphic function.
Key theorem with proof Intermediate+
Theorem (characterisations of plurisubharmonicity). Let be open and upper semicontinuous, not identically on any component. The following hold.
(a) If , then is plurisubharmonic if and only if the Levi form for all , .
(b) (Regularisation) If is plurisubharmonic, then on the convolution with a radially symmetric mollifier is smooth, plurisubharmonic, and decreases to pointwise as .
(c) (Maximum principle) If is plurisubharmonic on a connected and attains a global maximum at an interior point, then is constant.
The pivot is the computation relating the real Laplacian of a slice to the complex Hessian [Krantz Ch. 2].
Lemma (Laplacian of a slice). For , , , set for near . Then , where is the Laplacian in the single variable .
Proof of Lemma. Write , so and , , while since each is holomorphic in . By the chain rule, $$ \frac{\partial g}{\partial\lambda} = \sum_j \frac{\partial u}{\partial z_j}, b_j, \qquad \frac{\partial^2 g}{\partial\lambda,\partial\bar\lambda} = \sum_{j,k} \frac{\partial^2 u}{\partial z_j,\partial\bar z_k}, b_j \bar b_k = L_u(z; b), $$ using that the holomorphic derivatives commute past the and the mixed second derivative picks out exactly the block. Multiplying by gives , and at this reads .
Proof of Theorem.
(a). Suppose and . Fix ; the slice has , so is subharmonic in one variable (a function is subharmonic exactly when its Laplacian is nonnegative, by 06.01.24). Hence is plurisubharmonic. Conversely, if is plurisubharmonic then each slice is subharmonic, so , which by the Lemma gives . As were arbitrary, .
(b). The mollifier is radial, nonnegative, with . Smoothness of on is standard. For plurisubharmonicity, restrict to a complex line: , an average of translates of the subharmonic slice ; averages of subharmonic functions against a nonnegative weight are subharmonic, so each slice of is subharmonic and . The sub-mean-value inequality applied on spheres, together with radial symmetry of , makes monotone decreasing with limit as (upper semicontinuity supplies ; the sub-mean-value inequality supplies ).
(c). Let be attained at an interior , and let . Upper semicontinuity makes closed in . To see is open, take and a small ball . For any direction the slice is subharmonic with ; the one-variable maximum principle from 06.01.24 forces on a disc, so on a neighbourhood of in the -line. Sweeping over all directions covers , so is open. By connectedness and .
Bridge. This characterisation builds toward the pseudoconvexity theory of 06.10.03 and appears again in the existence theorem for , where the Levi form of the weight is exactly what makes the Hörmander estimate close. The foundational reason the Levi form governs everything is the slice Lemma: it identifies the one-variable Laplacian of a complex slice with the complex Hessian, so the global condition is precisely the infinitesimal shadow of subharmonicity-on-every-line. This is exactly the convexity that holomorphic functions respect, and it generalises the one-variable picture where the single quantity already carries all of subharmonicity. Putting these together, plurisubharmonicity is dual to holomorphy in the sense that is the universal PSH function while is the universal strictly PSH one; the central insight is that the bridge is the boundary-distance height , whose plurisubharmonicity will be shown to identify pseudoconvexity with the holomorphic convexity of 06.10.01.
Exercises Intermediate+
Advanced results Master
Plurisubharmonic functions are the analytic backbone of several-variable complex analysis. The results below sharpen the cone-theoretic and potential-theoretic structure and connect it to the holomorphic convexity of 06.10.01 and the pseudoconvexity of 06.10.03.
Composition and convexity. If and is convex and increasing in each variable, then . The proof reduces to a complex line, where it is the one-variable fact that a convex increasing function of subharmonic functions is subharmonic, combined with the regularisation of the Key theorem to handle non-smooth . Two consequences organise the examples: is PSH for any holomorphic and any (Exercise 3), and is PSH for holomorphic , since it is of a sum of squared moduli and is convex increasing.
Potential-theoretic regularity. A plurisubharmonic function is locally integrable (it cannot equal on a set of positive measure unless identically on a component) and defines a positive distribution — a closed positive -current. This is the entry point to pluripotential theory: the complex Monge–Ampère operator , defined for bounded PSH by Bedford–Taylor, measures the "total Levi mass" and is the several-variable analogue of the Laplacian-as-measure of one-variable potential theory. The Riesz representation of a subharmonic function as a logarithmic potential generalises to the Lelong–Poincaré formula , identifying the Levi mass of with the integration current over the zero divisor of .
The boundary-distance function. For open, set and . The single most important theorem about PSH functions in this chapter is that is plurisubharmonic if and only if is pseudoconvex, and this in turn is equivalent to admitting some continuous PSH exhaustion. The "if and only if" is the Hartogs–Oka–Lelong characterisation; one direction (PSH exhaustion pseudoconvex) is direct, the other (Levi pseudoconvex PSH) uses the Levi form of a defining function. This is the precise sense in which PSH functions certify the geometry that 06.10.01 characterised function-theoretically.
Approximation from above. Every PSH function is a decreasing limit of smooth PSH functions on relatively compact subdomains (the regularisation of the Key theorem), and on a pseudoconvex this can be globalised: every continuous PSH function is a decreasing limit of smooth strictly PSH functions on all of . This approximation is what lets the Hörmander method of 06.10.04 assume its weight is smooth and strictly PSH without loss, since the estimates pass to the decreasing limit.
Synthesis. Plurisubharmonicity is the foundational reason several-variable complex analysis has a working potential theory at all: the slice-and-Levi-form definition identifies a global convexity-type condition with the positivity of a single Hermitian form, and this is exactly the data that the operator sees through its weights. Putting these together, three pictures coincide — the function-theoretic (holomorphic convexity, 06.10.01), the geometric (Levi pseudoconvexity of the boundary, 06.10.03), and the potential-theoretic (existence of a PSH exhaustion) — and the central insight is that the boundary-distance height is the universal certificate linking all three. The cone is dual to the holomorphic functions in the sense that generates it while supplies strict positivity, and the bridge from these examples to the global theory is the Bedford–Taylor Monge–Ampère current , which generalises the one-variable Riesz mass and feeds the Lelong–Poincaré identification of Levi mass with zero divisors. This pattern recurs throughout the chapter: every later theorem — the estimate, the Levi-problem solution, the kernel constructions — runs on a plurisubharmonic weight whose Levi form is the hypothesis that makes the analysis close.
Full proof set Master
Proposition 1 (sub-mean-value over spheres). Let and . Then $$ u(a) ;\le; \fint_{\partial B(a, r)} u, d\sigma ;\le; \fint_{B(a,r)} u, dV, $$ where denotes the average and the surface measure on the sphere.
Proof. It suffices to treat smooth ; the general case follows by the decreasing regularisation of the Key theorem and monotone convergence. For smooth , the Levi form implies the real Laplacian , so is subharmonic as a function on . Green's identity on the ball gives, for the spherical average , $$ A'(r) = \frac{1}{\sigma_{2n-1} r^{2n-1}} \int_{B(a,r)} \Delta u, dV \ge 0, $$ so is nondecreasing in with , giving . Integrating the spherical averages in against the radial measure yields the solid average bound from the same monotonicity.
Proposition 2 (PSH is biholomorphically invariant). Let be holomorphic and . Then . In particular plurisubharmonicity is preserved by biholomorphisms.
Proof. Upper semicontinuity of follows from continuity of . For the slice condition, fix , (with ) and consider . The map is holomorphic from a disc in into , so the composite is the restriction of to a holomorphic image of a disc. By the case of smooth and the chain-rule computation , the slice is subharmonic; the general follows by regularisation. Hence is PSH. Since holomorphy of — not merely smoothness — is used (the terms must vanish), this is a genuinely complex-analytic invariance with no real-variable analogue.
Proposition 3 (Hartogs lemma on upper limits). Let be locally uniformly bounded above, and suppose for every in . Then for every compact and every there is with for all and .
Proof. Fix and . By Proposition 1, for any ball , $$ u_j(a) \le \fint_{B(a,r)} u_j, dV. $$ The hypothesis together with the uniform upper bound and Fatou's lemma (applied to for an upper bound ) gives . Choose so that uniformly for (possible by compactness, with ). Then for , . A compactness/equicontinuity argument on the solid averages — they are continuous in and converge uniformly on by the dominated bound — upgrades the pointwise to the uniform statement: there is with for all , , hence on .
Proposition 4 (maximum on the hull). Let be a domain of holomorphy, compact, and its holomorphically convex hull from 06.10.01. Then for every that is continuous,
$$
\sup_{\hat K_\Omega} u ;=; \sup_K u.
$$
Proof. The inequality holds since . For the reverse, first suppose has the special form with . By definition of the hull, every satisfies , hence , giving . For a general continuous PSH , approximate: on a domain of holomorphy a continuous PSH function is a decreasing limit of functions of the form with (a standard consequence of the holomorphic-convexity machinery, since the maximum of such log-moduli is dense from above in the PSH cone on ). Each approximant obeys the hull identity by the special case and max-stability, and the identity passes to the decreasing limit. Therefore . This identifies the holomorphically convex hull with the plurisubharmonic hull — the points where every PSH function is controlled by its values on — closing the loop with 06.10.01.
Connections Master
Domains of holomorphy and holomorphic convexity
06.10.01. Proposition 4 identifies the holomorphically convex hull with the plurisubharmonic hull: on a domain of holomorphy a continuous PSH function attains its supremum over the hull already on . Plurisubharmonic functions are the analytic certificate of the no-leak condition that06.10.01characterised through holomorphic convexity, and is the universal exhaustion linking the two.Dirichlet problem and the Perron method
06.01.24. Plurisubharmonicity is the several-variable refinement of the subharmonicity that drives the Perron method in one variable. The sub-mean-value inequality, the maximum principle, and upper semicontinuity are inherited slice-by-slice from the one-variable theory developed there; the Perron upper-envelope construction has its pluripotential analogue in the Bedford–Taylor solution of the complex Monge–Ampère Dirichlet problem.Holomorphic functions of several variables
06.07.01. The universal examples and are built from the holomorphic functions of that unit, and the slice computation that proves their plurisubharmonicity uses the polydisc Cauchy theory there. The Levi form is the second-order shadow of holomorphy: it vanishes on real parts of holomorphic functions and is positive on .Pseudoconvexity and the Levi form
06.10.03. This unit supplies the function-class — PSH functions and their exhaustions — in terms of which pseudoconvexity is defined. The equivalence " PSH Levi pseudoconvex admits a PSH exhaustion" is the bridge built there on the foundation laid here.The problem with estimates
06.10.04(when it ships). The Hörmander weighted existence theorem runs on a strictly plurisubharmonic weight , and the positivity of its Levi form is exactly the term that makes the Bochner–Kodaira–Morrey–Kohn identity yield an a-priori estimate. The smooth-strictly-PSH approximation proved here is what licenses assuming the weight regular.
Historical & philosophical context Master
The class of plurisubharmonic functions was introduced and named in 1942–1945 independently by Kiyoshi Oka and Pierre Lelong, who recognised that the one-variable notion of subharmonicity had to be replaced by a condition tested along every complex line. Lelong's systematic development appeared in Les fonctions plurisousharmoniques [Lelong 1945] (Annales Scientifiques de l'École Normale Supérieure (3) 62, 301–338), which gave the upper-semicontinuous, slice-subharmonic definition, proved the regularisation and maximum-principle theorems, and isolated as the canonical example. Oka had arrived at the same class — under the name fonctions pseudoconvexes — in his sixth memoir [Oka 1942] (Tôhoku Mathematical Journal 49, 15–52), where the functions were the technical instrument for attacking the Levi problem; the convergence of the two viewpoints is why the subject's central equivalence (pseudoconvex PSH-exhaustible) carries both names.
The deeper motivation was the Levi problem, posed implicitly by Eugenio Elia Levi's 1910 analysis of the boundary condition a domain of holomorphy must satisfy. Levi had found a second-order positivity condition — what is now the Levi form — on the boundary of a domain of holomorphy; the question was whether this local condition was also sufficient. Oka and Lelong understood that the right global object was not the boundary form alone but a function on the whole domain whose complex Hessian carried the same positivity, and plurisubharmonic functions were exactly that object. The reframing turned a boundary-geometry question into a function-theoretic one and supplied the exhaustion functions on which Oka's 1953 solution of the Levi problem, and later Hörmander's 1965 method, would run.
Philosophically, plurisubharmonicity marks the point where several-variable theory stops imitating one-variable theory and acquires its own potential theory. Subharmonicity in one variable is governed by a single elliptic operator, the Laplacian; plurisubharmonicity is governed by a Hermitian form, the complex Hessian, whose positivity is a genuinely higher-rank condition with no one-variable shadow. The complex Monge–Ampère operator of Bedford and Taylor, the Lelong currents of integration over analytic sets, and the modern pluripotential theory of Demailly all descend from this one shift in viewpoint: that the correct test functions for are the ones subharmonic on every complex line.
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